Face Your Critics

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Happy New Year, everyone! I’m finally starting to recover from the holidays. The books from the Goodreads giveaway I did in December are in the mail, my narrator is about halfway through the audiobook of Threads of Fate, and I’m over 80k words into my manuscript for Twilight Rain!

If you haven’t already, you can find me on Instagram, Facebook, and Goodreads, too! I’m trying to be better about my social media activity and hope to start producing more regular content in 2024.

Recently on Instagram, I came across a post by a young author asking, “How do you deal with criticism on your book?”

As one of the great many creators in the age of the internet who struggles with low self-esteem and chronic Imposter Syndrome, this question hit home fairly soundly. No one likes to be criticized, least of all a creator who is pouring their soul into a work that makes them feel personally vulnerable. And let’s face it. No matter who you are or what you do, there will always be critics.

“To write is to be vulnerable,” I have told other writers before. “‘What if they don’t like my writing?’ is synonymous with, ‘What if they don’t like me?'”

With that in mind, how do I deal with criticism?

My First Real Critic

For me, it all started in college.

I’ve written on this blog before that I began writing fairly early in life. It’s rather ironic, actually, considering the number of issues I have historically had with poor attention span, dyslexia, and abhorrent spelling. (My journal from when I was 10 years old probably requires a degree in paleography just to guess at what I was trying to get across.)

Writing became my therapy after my parents separated, and I dissociated into my realms of fantasy. My writing improved drastically, and before long I found myself excelling in an area that most of my peers continued to struggle with. Whether it was that I truly was better at writing than my peers, or people were just eager to praise my potential, or because it was simply uncommon for someone so young to write so much, I faced little to no criticism of my work through grade school and high school. On the contrary, I was quite certain that I was every bit as good as my favorite authors. It’s the reason I began self-publishing when I was 15. I sincerely thought I was that good.

Fast forward to college. I had the privilege of studying under a traditionally published author, and I was so excited to share my work with him. I believe it was my first semester there when I asked him to read the trilogy I had written in high school and give me feedback on it, thinking, “I’m pretty good, but there’s always room for improvement, right?”

Room for improvement, indeed!

A few days later, my mentor returned the trilogy to me with two 8.5 x 11 pieces of paper full of generalized critiques and maybe a sentence of positive feedback.

He hadn’t even made it through the first book in the trilogy.

To say I was devastated would have been the understatement of the year. I went home, stuck the book and my professor’s notes in a corner, and cried myself to sleep. I thought, “If my best is that bad, how can I ever be a writer?”

Other than classwork, I don’t think I did much writing the rest of that semester. Even thinking about it made me depressed.

But as is often the case when you truly have a passion for something, I couldn’t stay away from writing for long. By the next semester, I was going back over that long list of generalized critiques, mentally processing what was written and learning where I could.

I published my experimental retro fantasy novel Prism World in 2013, and then I even managed to do a full rewrite of the first book of my high school trilogy, The Four Stars in 2015.

I am proud to say that my mentor actually made it through the first book the second time around. And I genuinely feel I am a better writer for having a critic in my life.

Critics vs. Bullies

I want to point out something extremely important when it comes to facing criticism in one’s work. There is a major difference between people who are genuinely offering feedback and those who are being mean just to be mean, and you can start by asking yourself this one key question: “Is this criticism directed at how I wrote my book, or is it a criticism of me as a person?”

The two are not the same.

John Updike once said, “Contrary to popular impression, writers, unlike pole vaulters, do not know when they have done their best.”

Writing is more than just information on a page. Authentic writing is when a person (the writer) decides to take up one of the most vulnerable pursuits a human can ever participate in and share a part of their own lives with the wider world, exposing themselves both to the possibility of connection and of censure.

When a critic makes a statement about a writer’s work, it opens up an opportunity for the writer to improve on their craft if they so wish, specifically because it offers the writer a glimpse into someone else’s world, how they think and, as Stephen King puts it in his book On Writing, “adds another tool to your toolbox.”

When someone makes a statement about the writer themselves, however, it is not a “tool in the toolbox” for the writer. None of us will ever walk in another person’s shoes, and most if not all of these sorts of critics (“bullies,” I call them) are unlikely to ever meet the person they try to tear apart, much less learn about their world or life experiences. These responses are like looking at a handful of pixels in a 4k picture and criticizing the entire piece based on them. It’s short-sighted and narrow-minded and, ultimately, lacks any sort of value. It adds nothing to the world.

Some Encouraging Remarks

For all of us who struggle with our fears of criticism and rejection, it’s important to remember that we aren’t alone. Ask any New York Times bestselling author (or read their biographies, if they have them) and you will quickly get to see that even the best writers in the history of writing have had their critics and their bullies. That doesn’t magically make them bad writers. It just means they were and are every bit as human as the rest of us. And for me, at least, that is an encouraging thing to remember.

I have a few phrases I tell myself whenever I’m starting to feel overwhelmed by criticism and/or self-doubt. Hopefully something on this list will help you, too.

  • “You’re still learning. Every word you write is an opportunity to improve.”
  • “The mistakes of today do not have to define the progress of tomorrow.”
  • “No one will live your life or see your journey. The negativity is just an outsider peering through the keyhole and claiming they see the whole house.”
  • “You write because your soul needs to. Anyone who enjoys it with you is just an added blessing. Don’t give anyone the power to steal your joy.”

In Conclusion

Something to remember is that for anything you are passionate about and work to improve on, your best today will never be your best tomorrow. And that’s OK. Often we worry about critics, but if you’re anything like me, you might want to stop and consider that you might be your own worst critic. I know I am mine.

So when the criticism comes, learn from what is constructive, ignore the bullies, and keep trying!

Side note: Has anyone reading this blog experienced criticism that made an impact on them? Was it constructive or destructive, and how did you handle it?

NaNoWriMo 2023 (and other things)

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I started this blog back when I was in college, mostly as part of an assignment, and along with it began my official journey into the world of writing. I was introduced to National Novel Writing Month (NaNoWriMo) in 2011 and was fascinated by the idea of writing a whole novel in a single month. Turns out, NaNoWriMo is not for the faint of heart, and so for the last twelve years I have tried (and failed) to get anywhere close to the 50,000-word mark.

I’ve mentioned in other posts my struggles with depression and the impact it had on my writing, especially over the last eight years. Tabletop roleplaying games (TTRPGS) and the support of some absolutely phenomenal friends and family have gotten me to where I am today, and so it is with a truly inexpressible amount of excitement that I am proud to announce that I have, for the first time in twelve years of trying, completed NaNoWriMo!

For anyone who has read my collection of short stories Threads of Fate, published earlier this year, you may have noticed that I did what I typically like to do at the ends of my books: I threw in a teaser for what I was working on next. That teaser picked up where the last short story left off, following the character of the aspiring elvin archaeologist and mage, Aeva.

The book, titled Twilight Rain, starts on the elvin continent of Parras and will be the first of a set of two under the umbrella name The Bladedancer. Twilight Rain sets up some major events that will eventually lead back to the location around which the Threads of Fate short stories are set, the “Isle of the Gods” called Aurora.

As of writing this post, I am just over 62k words in and still going. I expect to have another ten or so chapters to complete before my first draft is done, but I’m already really loving what I’ve got going and, as such, have taken the plunge to pay an actual artist to do the cover art. I did the cover art for Threads of Fate myself and feel like it was a decent job, but nothing beats a professional.

And speaking of professionals…

When I was a kid, my dream was always to be a writer. Nothing speaks to my soul the way writing does. The problem was that the world kept telling me that writing was a “hobby,” that making a living off writing was as likely as winning the lottery. There’s a lot of talk about luck, and certainly it plays a role, but some of it is just plain old commitment, with a healthy dose of support from family and friends mixed in.

When I first published Threads of Fate, I wasn’t in a good place to pay the fees to host a Goodreads giveaway, so I took a few spare copies to some of my favorite places around town, including a local library. Being an independent publisher and little-known, I wasn’t expecting too much out of it, but I have always felt that if I can bring joy to even one other person’s life with my writing, it’s absolutely worth the work and resources I put in. You can imagine my surprise, then, when I received a message from someone associated with the library telling me that a colleague really enjoyed my book and asking if I would be interested in a speaking engagement in February.

Absolutely!

This year has been…rocky…at best, but that message alone reminded me of how much I still have to celebrate as we bring 2023 to a close. And with that, here are some of the exciting things I’ve got going as we head into the new year.

Official Website – For those who have been following my blog for a while, you may have noticed a change in the URL. That’s right! This is now an official website!

Goodreads Giveaway – There is FINALLY a Goodreads Giveaway going for Threads of Fate. I’ve got 10 copies on the way that will be signed before going to the giveaway winners. New to my work and not sure how much you want to invest? This is the time to give it a shot!

Threads of Fate Audiobook – I’ve sent my first offer to a narrator to do an audiobook of Threads of Fate! Not only will that open up a whole new audience for my work, but I am extremely interested to hear what my writing sounds like in someone else’s voice. There’s no better way to improve one’s writing than to hear it read out loud, and I am always interested in learning and growing in my craft.

Twilight Rain Cover Art – As I mentioned earlier, I’ve got an actual artist working on the cover art for my upcoming book. Really looking forward to seeing some professional renditions of one of my favorite characters!

Instagram & Facebook – They say social media is an important marketing tool, and as such I’ve been attempting to lean more into that space. Working on keeping my old Facebook page updated, and I now have an official Instagram page as well.

Speaking Engagement – Still waiting on details for this event, but if you’re local to the Chattanooga area and the speaking engagement is a public event as I suspect it will be, I’ll be sure to put out an announcement.

In conclusion, 2024 is setting up to be an exciting year! To those who have stuck with me through the years, your support means the world to me! To those who are new to my writing, I hope you enjoy the stories I have to offer and that you find something that adds a little extra joy to your lives.

And to those who are struggling with mental health, writers and non-writers alike, I just want to offer a word of encouragement, especially as we move into the holidays, a time when mental health can be a particular struggle.

It can get better. It usually does. And at least in my experience, the struggle has been worth it.

Wishing you all the best. Here’s to a promising 2024!

Resources for Fantasy Writers

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It’s official! The proof for Threads of Fate is on its way! And while I wait for it to get here, I thought I’d give a shout-out to the services and programs that made this project possible (or at least so much easier than it could have been).

Atticus

Price: $147 (one-time payment) – Link

In times past, I did all my formatting by hand using Microsoft Word. When I got a new computer and it no longer made sense to keep trying to squeeze out the life of my almost 20-year-old copy of the Microsoft Office Suite, I started looking for options for formatting my books. If I was going to spend all that money on a program to build my books, I wanted one that wouldn’t involve so much blood, sweat, and tears.

Atticus is comparatively reasonably priced for a formatting system, with a wide range of customization options. It’s also tested and proven to be compatible with Kindle Direct Publishing (Amazon) and Ingram Spark.

Admittedly, I did run into a few hiccups early in the process, but the Atticus customer support was absolutely phenomenal. They responded quickly, were very friendly and helpful, and even went so far as to reach out to the publishing company I was having issues with to see if there was something they could do to make things work better and understand the errors being reported. Their team rocks, and I am so happy I made the decision to invest in this program.

Grammarly

Price: Free (or $12/month for Premium, $15/month for Business) – Link

As an independent author with limited financial resources, Grammarly has been a lifesaver. It comes with its caveats, of course. The system wasn’t built for fantasy and/or informal writing, so I had to dismiss many a warning on account of, “It’s fine, this is meant to be informal,” and, “No, it’s not a real word, but it’s a word now.”

But regardless, when even professionally published books come with their fair share of editing errors (*cough*Drizzt novels*cough*), Grammarly helps me see and correct errors that my brain might otherwise autocorrect and ignore and helps me stay competitive in the wider publishing world.

(Also, if anyone knows someone involved in publishing the Forgotten Realms novels, can you tell them that Grammarly wants to speak with them? My sanity would be very grateful.)

Inkarnate

Price: Free (or $5/month for Pro Monthly, $25/year for Pro Yearly) – Link

Map drawing has never been my strength, so I was thrilled when I came across Inkarnate. While the free plan allows you to create maps only for personal use, the Pro version allows you to use all their amazing map-making tools and publish your maps commercially. The price is quite reasonable, and you can even upload your own images to use as stamps if you want. For TTRPG players and fantasy writers alike, I would say it is definitely a worthy investment.

Vulgarlang

Price: Free (or $14.95 for the Basic Version, $19.95 for the Pro Version, both a one-time purchase) – Link

This program is a more recent discovery, but I can honestly say I’ve already gotten more than my money’s worth out of the investment. This fantasy language generator is more consistent than I could probably ever hope to be, and it’s fairly simple to make alterations where needed. The program is built for published works and has already been used in everything from MMOs, to novels, to webcomics. There’s also no limit to the number of languages you can generate.

So far, the hardest part of using this program has been dusting off the rust on my understanding of parts of speech and phonetics from my school days.

Krita

Price: Free – Link

A lot goes into the production of a book, not the least of which being the cover art. I’ve dabbled in art all my life but was never consistent in practicing it. When I made the decision to take the plunge and make writing my life’s work, I invested in an art tablet to begin doing my own cover art. A lot of professional digital artists use Adobe Photoshop. I have strong opinions on their pricing plans, however, so I went looking for something more reasonable for my situation. This led me to Krita.

Krita is a fantastic, open-source digital art system with options for everything from pen and pencil effects to airbrushing and watercolor painting. I’ve used it quite effectively for both cover art and personal anime-style art.

I haven’t been happy with the text tool in Krita, but it does everything else I need for the purpose of making suitable cover art for my books.

GIMP

Price: Free – Link

For the tools that Krita doesn’t have (or doesn’t, at least, do as well), I use GIMP, another open-source program. This is usually limited to placing the title and author text on the cover art after it’s complete, but it can be quite useful for other small modifications necessary to get the look I’m going for.

Donjon

Price: Free – Link

Last but not least, I want to give a shout-out to a TTRPG tool called Donjon. While not geared specifically to writers, I have found the tools on this website to be fantastic for inspiration, providing everything from a fantasy name generator, to a medieval demographics calculator, to a fantasy calendar generator with notes on moon phases and shooting star occurrences. All the tools are free, and even the creator’s Patreon subscriptions are essentially just “thank you” donations.

Book Review: All Creatures Great and Small by James Herriot

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“Have you heard of James Herriot?”

Every time anything relating to England, farm life, World War II or, especially, work with animals comes into a conversation with me, it is almost always accompanied by that question.

To me, the name James Herriot is synonymous with some of the few happy memories I have of middle childhood. I won’t dig too deep into family life back then, but to say we had a lot of…rough…moments will be sufficient. But despite everything that happened back then, one prevailing memory is of my mom popping a cassette audiobook of James Herriot’s writing into the car radio, an experience we bonded over while she drove me, my brother, and often other kids from our rural hometown to the private school we all attended in the city beyond. I think in the early years it was a 45-minute trip, but by the end, 2 hours slogging through traffic was not out of the question.

As a kid, any amount of time stuck in a car is a long time. Double that during the days when it was rare for a working adult to own a cellphone, much less a kid. The James Herriot audiobooks, though, were something adults and kids alike could bond over, sharing moments of laughter or horror at the antics which were the life of a country vet before World War II. Perhaps it was made all the more amusing by the fact that everyone seated in that car was a farm kid. We only attended a school in the city because our parents made the sacrifices they believed were necessary to give us the sort of education we deserved.

But still, I hold firmly to the belief that James Herriot’s books possess a certain charm that transcends all life experiences and age gaps, and it is for this reason that I regularly find myself asking, “Have you heard of James Herriot?”

Book Overview

Goodreads Link: https://www.goodreads.com/book/show/32085.All_Creatures_Great_and_Small

My Rating: 5/5 stars

All Creatures Great and Small is the first of four books following the early life and work of James Herriot, a young vet fresh out of school who lands a job working as the assistant to a man named Siegfried Farnon out in the Yorkshire Dales. Operating out of a charming old town property called Skeldale House alongside other colorful characters such as Siegfried’s charming rogue of a brother, Tristan, the stony-faced but ever-present housekeeper, Mrs. Hall, and militant secretary Miss Harbottle, Herriot sets out on his first two years of life as a country vet in pre-war England. The book follows through his ups and downs, the hilarious and heartbreaking moments, and culminates with his marriage to the spunky Daleswoman he fell in love with.

Herriot’s writing is largely viewed as semiautobiographical; his real name was James Alfred Wight, and many of the characters and stories in the book are only based on real events or people. Still, this book and those that follow remain quite real as they examine the joys and heartaches of country life and the love of animals.

If you were to look up a description of All Creatures Great and Small and its successors, you will likely see them described as “animal stories.” Which isn’t wrong, but perhaps a better way to describe them is “stories of the ways that animals influence our lives and bring people together.” After all, with the number of animal videos and pictures floating about on social media and online forums today, one thing quickly becomes abundantly clear. The love of animals is a universal language.

What I Liked

I’m a bit embarrassed to admit that this is my first official read-through of the books themselves, and I haven’t listened to the audiobooks since those long car rides between home and school. Still, I am happy to say that after over a decade since I last popped those old cassettes into a player, I still find that I love the stories every bit as much as I did when I was a child, and perhaps more so now, because as an adult I have a profound appreciation for an outside look at a life that was inherently hard and fraught with its fair share of mistakes.

Autobiography or not, the stories in All Creatures Great and Small do anything but overexaggerate Herriot’s success both in his professional and personal life. There are tales of some of the jobs he wasn’t able to successfully complete and the animals he failed to save. He even talks about his few quite disastrous attempts at courting and interacting with the woman who would eventually become his wife, including a flat tire and a flooded floorboard on their very first date. In a book where it would have been easy only to regale the audience with his tales of success, Herriot takes a refreshingly humble and humorous approach to experiences that were, at the time, likely quite humiliating.

Humor is the overtone for this book, and despite the hardships and harsh realities sprinkled through the work, the more amusing tales make up the difference. My favorite has to be the story of Herriot catching a ride with Siegfried in a car with no brakes, but that is only one of many.

Another thing I greatly appreciate about the writing in this book is the personable way in which the characters are described. The description is superb, and I felt like I was getting to know the characters as real people, not just caricatures on a page. My heart broke at the description of a widower reminiscing about the wife he loved and badly missed and soared with affection at the description of the girl who rode her bike all the way into town to get her hard-working father a bottle of his favorite drink with the few coins she had managed to scrape together.

The book centers around work with animals, and I do love animals, but it’s the people that I remember most. I’ve never been to England, and I doubt I would ever have the grit to be a vet in the modern day, much less almost 100 years ago, but the dales of Darrowby feel like home when I read these stories and the hardy Dalespeople feel like family.

What I Did Not Like

I can’t say there’s anything that I truly don’t like about this book, but for those who are more accustomed to a modern read, perhaps it’s fair to drop a word of caution.

For starters, there are moments where understanding what is going on in the dialogue is a challenge. Much of the dialogue in the book is in the local vernacular, and that way of speaking is quite foreign to someone like me. So if you aren’t the kind of reader who is interested in putting forth the effort to decode what is being said, the read can be a bit slow in spots.

Also, while the book isn’t gory, Harriot doesn’t exactly mince words when it comes to the biological processes dealt with in veterinary practice. This could be offputting to some who are looking for a less…gritty…read.

My Take-Away

Well, if my introduction doesn’t sum it up, I suppose I’ll ask again, “Have you heard of James Herriot?”

If you’re at all interested in slice-of-life stories centering around the common love of animals, this is the book for you. The characters—human and animal alike—are loveable and memorable, and I feel like the simple, down-to-earth tales are capable of reaching across the generations in a way few stories can.

In the right setting, at least, the stories can also be a bonding experience between the generations. This one isn’t just a book review to me. My hope is that others will discover and fall in love with the James Herriot stories, and that maybe, just maybe, they will be able to provide a bright spot even in the hardest of circumstances the way they did for me all those years ago.

Threads of Fate: First Look

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May crept up on me faster than I ever thought it could, but I’ve got good news! I can actually see progress on my newest project. Originally called by the working title of Moments that Define Us, I have since settled on the official name Threads of Fate.

I last posted about this project in my NaNoWriMo 2022 recap. My original thought was that the book, a set of short stories introducing the reader to this new fantasy world I’ve been working on, would focus on the moments that defined the characters in each story. To some extent, those common threads remain the same, but perhaps what is most apparent in the set is the connection of one character to another. Some of the characters truly are heroes in one respect or another, some are antiheroes, some are even everyday people living everyday lives who, by chance, happen upon something that changes their lives thereafter.

Being an independent writer comes with a lot of challenges, not the least of which being the cover art. When I first started my foray into self-publishing, I had a lot of resource advantages I don’t have now. Not that I have room to complain. The wide variety of Creative Commons tools available in today’s day and age has allowed me to practice a skill I have long neglected: my art.

The sample art above is only half complete. There are a lot of details left to work on, but for someone coming out of years of depression and neglected skills, I’m pretty happy with how things are turning out.

While deciding on what I wanted to do for the cover art of this book, I spent a fair amount of time perusing the shelves of fantasy books at the local bookstore. It became readily obvious that the trend for fantasy books at least is to depict some sort of full-spread battle art. Still a little beyond my skill level, but it did make me wonder: what scenes in my stories really stand out and define what I’m going for in this collection? It brought to mind one section in the second story of this project:

Snowflakes. They were delicate…fragile…possessing an ephemeral beauty that was best appreciated in the moment. Together with others of their kind they could be built into beautiful works of art or thunder down the mountainside with the fury of an army, but alone, their existence was fleeting.

The short story is titled “A Light in Winter.” Noelani, a young mother who finds herself suddenly widowed and faced with the threat of monsters in the night, uses her late husband’s final gift to help defend her clan and the strangers her husband gave his life to save.

Many of the stories in this collection focus on how different characters affect the people around them, and what better way to illustrate that in the cover art than with the theme of snowflakes.

What’s Next?

My original goal for publication was the beginning of June, but with my current rate of progress, it’s looking like July might be a more likely date. While I have come to accept the “80% Philosophy” (see my post about Overly Sarcastic Productions if you’re wondering what that is), I do want to make sure I’m giving my readers my true current best before I launch.

Considering that the above cover art was done over the course of two days, it shouldn’t take more than another day or two to polish it up and get the title on it. The formatting is being done through the Atticus service, so that relieves some of the pressure I felt when I was formatting projects on my own with an outdated copy of Microsoft Word.

Something I’m doing differently with my manuscript edits is recording myself reading out loud. A good way to catch “invisible errors” is to listen to yourself read and find the places where you stumble. If there’s one thing I’ve learned in the decade and a half that I’ve been writing, it’s that not every sentence that is grammatically correct is actually readable.

Perhaps that is the beauty of all art, though. There’s always room for improvement.

For Threads of Fate, it’s been a growing experience, but I couldn’t be happier, and I’m very excited to share this new set of tales with the world this summer!

Keep Growing: Learning from Past Projects

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A friend of mine recently introduced me to Overly Sarcastic Productions, a pair of historians and content creators on YouTube. As we finish out the last Monday of 2022 and look forward to what’s in store for 2023, I thought it might be fun to take a look at one of the more impactful videos (for me) that OSP has made: their 10-year review.

For those who may not have read my other posts yet, 2023 is going to be a big year for me, if for no other reason than for the fact that it marks the 10-year anniversary of the first book I published as an adult, Prism World. I’ve been telling stories for most of my life, and looking back at my work, I can see how much I still had to learn at the time I wrote each piece. It’s really easy to look at older pieces of work and think, “Man, that was awful writing.” I imagine that a decade from now I’ll look back at this post and be tempted to think that very thing. But as I work on the 10-year-anniversary copy of Prism World and watch this video by OSP, I feel that I’ve gained a new appreciation for my work, both the successes and the failures. For other content creators like myself who maybe have a bad habit of focusing on the negative side of creativity (the mistakes, the failures, the rejections, the notorious “Imposter Syndrom,” etc.), I strongly encourage you to watch this video. At least for me, it was very encouraging. But for those who don’t want to watch the whole thing, here’s a screenshot of their summary. I’ll go over what I came away with below.

Every story can be told in an interesting way

In the OSP video, Red (the two content creators are referred to as Red and Blue) tells the story of how the channel really got its start, namely a rant at a family gathering that started with complaining about Shakespeare’s Much Ado About Nothing and ended in collective amusement. I attempted something similar back in college with my post Waste Water Waste of Time. Whether I succeeded or not…I’ll let my readers be the judge of that.

I think the first time this concept really stuck for me was listening to the audiotapes (yes, audio cassette tapes, because I’m old enough to remember those) of the books by James Herriot: All Things Bright and Beautiful, All Creatures Great and Small, All Things Wise and Wonderful, and The Lord God Made Them All. For those not familiar with that name, Herriot (whose real name was James Alfred Wight) was a British veterinary surgeon in Yorkshire, England who wrote a series of books about his experiences among the people of the Yorkshire Dales. The stories are amusing, and what’s most interesting about them is that they are all so real. It’s not even so much the “what happened” that is amusing but, rather, the way in which the stories are told.

In the OSP video, Blue encourages people to take a chance on a project. Even if it fails, you won’t know until you try. That can be easier said than done, but I really think the point here is that sometimes, when you’re feeling like your project is failing and that perhaps it’s the result of something wrong with you on a personal level, try looking at it from a different point of view.

Putting a project down doesn’t mean it’s gone forever

The quote I love most from this part of the video: “It is okay to put a project down, it doesn’t mean you’re a failure or you can’t commit, because you can always pick a project back up.”

I have multiple binders full of old story ideas that have been sitting in limbo for decades, and because of it, I have a bit of a reputation among my friends and family. Every time I say, “Oh, I have this idea I want to turn into a book,” there is an exchange of knowing looks and shared, “Uh-huhs,” between those who know me best. Not to say they are entirely wrong in their reactions, but there was a time in my life where I really did feel like a failure for all the unkept promises and incomplete projects lying around to remind me of what I hadn’t accomplished.

In the video, Red says, “I think…learning that you can put a project down and pick it back up again later – or even not pick it back up later – and that doesn’t mean you are failing as a creator…because what you created up until that point will still exist and still matter.”

Seeing myself and my work from that perspective was very liberating for me. And also, Red wasn’t wrong. You can always pick a project back up. Maybe not in the same form it once was. In my experience, I wouldn’t want my project to stay in the same form it originated from. But that doesn’t negate the value of what was created.

As I work on moving to the newly reimagined Olandris Legacies series, I’ve been going through old stories and borrowing what I liked from each to build something new. It’s been liberating, and fun, like going back and becoming reacquainted with old friends who have matured and learned valuable lessons over their lives.

Everything you create is experience gained. Maybe it will grow and become something big and permanent. Maybe it will be tucked away in a binder as a token of what you’ve learned. But everything you create has value, and even the roughest works of art are a testament not to your failure but to your willingness to try.

Get valuable experience quickly by iterating

“Done is better than perfect.”

So what does it mean when they say, “Get valuable experience quickly by iterating”? The short and simple answer is, “Do a lot, and don’t worry about how well.”

In this video in particular, Blue talks about the “80% Rule,” which essentially means, “Get your project to what you would say is 80% perfect and then move on.”

Let’s be real. Most of us who are creative types get so focused on “perfect” that we can paralyze ourselves into getting nothing done at all. That “80% Rule” gives us permission to not be perfect and, by doing so, permission to say, “This project is complete. Time to move on.”

Red also points out that every project done was the best they could do at the time. Each project was experience gained, which meant that each successive project got a little bit better. But that would never have happened if the other, “less perfect” projects had not been done first.

That idea kind of goes along with the concept of NaNoWriMo (National Novel Writing Month). For some people, there is this mistaken notion that something has to be perfect before it can be acceptable. (Me. I am “some people.”) But in reality, that simply isn’t true. Not to say you shouldn’t strive to put forth your best effort, but your best effort now will never be the same as your best effort a year, two years, or a decade down the road. So give yourself permission to not be perfect and focus instead on just producing your work. As the old saying goes, “Practice makes perfect.”

Small lateral changes amount to big evolutions

Translation: “If you have a lot of things you need or want to change or accomplish, do it one thing at a time.”

There’s that proverbial question of, “How do you eat an elephant?”

The answer? “One piece at a time.”

For people like me, looking at the big picture means looking at where I want to end up and getting so focused on that that I get overwhelmed with the sheer number of steps it will take to get there. This is especially true when writing a novel. There’s a lot that goes into the production of a novel. You need to know the plot, the characters, and the world in which the story is set. Once the manuscript is complete, there is editing, formatting, cover art design, and blurb writing. And then, once you get all of those pieces put together, there’s the question of how you’re going to market it. And it can be kind of scary, especially if you don’t have the resources to pay professionals to do all the extra work for you.

As the OSP video points out, though, the best way to make changes or accomplish goals really is just small efforts over time. Write one word per minute for three hours a day every day of the year and you’ll have over 50,000 words, the length of a short novel. If a novel is too overwhelming, write short stories. The point is to make an effort, no matter how small. And honestly, I’m writing this as much for myself as for anyone else. Knowing what your end goal is can be fine, but don’t get so focused on it that you get overwhelmed and burned out. You might be surprised by how much you accomplish by focusing on smaller goals that lead up to the larger whole.

Make your constraints into your strengths

The big take-away for me in this part of the video was, where possible, allow others to help you with your project, and focus on the things you really have a drive to work on.

This sort of goes back to the previous point. Not everyone who can write a good story is good at editing. Even if you’re good at editing, maybe you’re not so good at editing your own work. Formatting, cover art, marketing, the same goes for those parts of the process, too. Of course, for those of us who stubbornly stick to the self-publishing model but have no excess money to speak of, hiring people to do the things you’re not good at may or may not be an option.

In this case, it might mean that you have to find other ways to make it work without overtaxing yourself and risking burnout. An example might be using more simplistic images for your cover art. If you’re good at writing blurbs but not so strong at art, focus on a winning summary instead of fancy art. While it’s true that a lot of people (myself included) are lured in by beautiful cover art, I can honestly say that what really sells me on a book are two things: the title, and the summary. And those are both things a solid writer can typically manage.

Lucky is not a substitute for Good

“Plenty of talented creators go viral and fizzle out immediately. Why?”

This was one of the first things my writing mentor in college pointed out in our Narrative Writing class. A lot of people have talent, but if you’re not actively working on your craft, no amount of talent is going to make up for not putting in the work. A person with mediocre skill can produce something great just by consistently working at their craft. An enormously talented person can remain in obscurity just by consistently failing to put forth an effort.

This can be both an encouragement for those who think they aren’t “good enough” even though they badly want to become writers. It’s also a warning for those of us who have for years been lauded as “talented.”

You can get lucky and be “talented,” but lucky is not a substitute for good. Or as Blue puts it, “Hard work makes luck stick.”

Set your priorities and understand your motivations

How do you set priorities? If anyone reading this has been following my blog from its infancy, it’s pretty obvious that my genres and interests have been what could best be described as a glorified pinball machine. Especially when I was younger, I had this idea that I had to be perfect, and that I had to make sure that I produced content that everyone liked. I would get intimidated by failure, and often I wasn’t true to myself when I worked on my projects, leaving me feeling (if not looking) like a complete flake.

The major thing I got out of this point of the video is, “Why are you a creator? What makes you do what you do?”

Taking a step back and looking at my work from a slightly more mature perspective, I can honestly say that in the end, I write because I love writing. And I love when my writing makes others smile. But truth be told, there is no way to please everyone. Even the most famous content creators in history had (and have) their critics.

As I look forward to a new year and a new chance to pursue my passions and dreams, I can honestly say that my priority is to write from a place of authenticity. I’ll give my project that 80%. When I get to the end of that project, I will look at it and say, “I have done the best that I can with the skill I currently have.” And then I will move on.

At this point in my life, I focus largely on writing for an audience of one, my friend Audrey whose enthusiasm for my work has helped me rediscover my passion for it. Maybe I will always write and publish for the entertainment of the two of us. From my past experience with Prism World and The Four Stars, I dare say it won’t always just be for the two of us. But I can’t focus on the “What Ifs” of the future. I have to focus on what I know. And what I know is that Audrey and I have a blast talking about my stories and imagining what the characters will do next. I also feel like what I write makes me a better person. It encourages me to explore new things, including my own feelings and motivations. I can become a better person through what I write.

That’s my priority. That’s my motivation.

Don’t go overboard on production value or side projects

I can’t claim to go terribly overboard on production value (I recognize my financial limitations), but side projects are one of my greatest temptations. I’ve said it before and I’ll say it again. My brain can best be described as a bag full of over-caffinated squirrels. And those squirrels are always coming up with new stories to consider. This has resulted in at least a dozen different fantasy worlds of varying complexities over the last decade.

Recently, going through the process of taking all those old ideas and reforming them into stories that can exist in one world has helped at least focus my thoughts a bit. I still think I have enough ideas to quite outlast my natural lifespan, but hey, at least I’ll never get bored.

In the OSP video, they talk about a moment in which people encouraged them to hire out all the different aspects of their work so that they could essentially just sit back and rake in money, and both Blue and Red talk about how that wasn’t what they wanted to do, because they legitimately loved their work. What has made them successful is (a) they continued to do what they loved and (b) they stayed focused on what they knew they could do well. Not to say that they didn’t branch out, and they did eventually hire someone to do some of the work they weren’t passionate about, but they still stayed true to themselves throughout the process.

And it makes sense. I think most people can tell the difference between a project produced for money or success versus a project produced with passion at its core.

Take active steps to avoid burnout and know your limits

What follows going overboard on side projects? For me, that’s one of the first things that will lead to burnout. I’ll go through a wildfire-level writing rampage on several different projects and then, all at once, my mind will tell me, “But this kind of story has probably already been told a dozen times by people way more qualified to write it than you. What makes you think any of this is worth reading?” Do too much at one time, and everything starts to look the same.

This is a chronic issue for me, not just in writing but in multiple facets of my life. A perfect example would be my study of foreign languages. I have been using Duolingo off and on over the years. If you were to look at my profile, it lists that I am studying: Japanese, Spanish, French, Irish, German, Hebrew, Italian, Norwegian, Russian, Portuguese, and Welsh. You know how many of those I’ve actually learned? Practically none. Especially when I was younger, it wasn’t that I didn’t know my limits. It was that I had a hard time accepting that I actually have limits.

This year, I’ve managed to get myself into a routine that has helped drastically with that. I am focusing on studying one foreign language only, Spanish. I grew up in Texas and a large percentage of the people I grew up around spoke Spanish, so it is one that I am naturally more familiar with.

For my writing, I try to set less intimidating goals. Just write 1 word for every minute spent working on the project. Since writing has become my career, I have a lot of minutes to work on my projects. By my calculation, writing every day with the goal of 1 word every minute I spend working on a project, I should be able to write well over 175,000 words. Will I hit that goal? Unlikely. Life has a knack for getting in the way. This year alone my dad and both of his parents passed away, and that only scratches the surface of what my year has looked like. So instead of focusing on, “I want to write 175,000 words next year,” I am focusing on, “I want to write 1 word for every minute I spend staring at the computer screen/notebook.”

That is my limit. That is what keeps me from getting overwhelmed and burned out. What works for me may not work for everyone else, but the point of this part of the OSP video can really be boiled down to, “Know yourself, accept that you do have limits, and do what you need to do to take care of yourself so you can keep doing what you love.”

I loved this quote in the video: “The goal is to enjoy what you’re doing, not survive what you’re doing.”

Pay respect to the classics, but don’t get stuck in a loop

In this instance, “classics” refers to past work that you thought, at the time, was phenomenal, the peak of your creative expression. And by “getting stuck in a loop,” this refers to the temptation of revising old work over and over again, hoping to make a “perfect” version of what you believe to be an ideal piece.

You know who’s the queen of getting stuck in loops? Me.

Recently, I’ve been working on a 10th anniversary copy of Prism World. I don’t feel like that really counts here because my goal is not to rewrite the manuscript. Mostly my focus is on updating the formatting and creating a map to go along with the story. In recent years, I’ve gained access to some phenomenal tools to help make that process easier.

There is a part of me that sort of regrets picking up and rewriting the Star Series, however. Not that I don’t like the idea of polishing up a story that meant the world to me at the time I wrote it, but in doing so, I have realized just how big of a plot hole I’ve written myself into. So many things about that set of books just don’t make sense. Of course, I was young and inexperienced when I wrote them. Those books are my “classics.” It was the best writing I could do at the time with the skills that I had.

I’m still working on the rewrites of those stories because I committed to doing so. That doesn’t mean it’s easy, and I have no intention of rewriting any new content I produce from here on out. Are there things that I wish I had done differently with Prism World? Absolutely.

But as Red points out in the OSP video, be careful about going down that rabbit hole. Because no matter how many times you rewrite/recreate a project, at some point you will have to accept the reality that nothing will ever be perfect, and (hopefully) your skills as a creator will continue to improve over time.

Conclusion

I think that the biggest points I came away with in this video were that it’s ok to not be perfect and, rather than focusing on what other people like, want, and feel (things you can’t change), it’s important to stay true to yourself, especially as a creator. Also, keep trying. Luck isn’t something any of us can control. Hard work is. And the best thing we as creators can do for ourselves and our craft is to put in the hard work now so that if/when luck comes along, it has a foundation to stand on.

So to all of my readers out there, I hope this video was as inspiring for you as it was for me. Good luck with your projects, whatever they may be. Wishing you a new year full of success and inspiration ahead!

Book Review: Native American Myths and Legends by Lewis Spence

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This year I have started splitting my reading interests between fiction and non-fiction, as much in an attempt to improve my writing skills as for the love of reading itself. Especially as I move into working on my re-imagined Olandris Legacies series, a world meant to be rich and diverse in culture and environment, I have been looking into expanding my knowledge and understanding of different cultures, languages, and ways of thinking.

I grew up in rural Texas. Not surprisingly, many of my friends were Mexican. My step-father is Ecuadorian, but he spent time teaching in Korea, so that also offered me a unique perspective on world culture early on in my life. Then as a pre-teen, I became an obsessive anime fan, a hobby that started with the anime Rurouni Kenshin and my introduction to Japanese culture through an interest in the Japanese revolution, the fall of the Shogunate, and the rise of the Meiji era. But one culture that I had little exposure to (and I use culture in the broadest sense here, considering the sheer diversity involved) was that of Native Americans.

Growing up, my parents liked to take me to the Powows held in Austin, but my understanding of what that yearly event was could easily be summarized into feather costumes and loud drums. It was fun to see all the costumes and browse the merchandise stalls, and yet to me it was little more than another festival. The significance of the event, and its cultural impact, were completely lost on me.

In the Olandris Legacies series, one of the people groups that can be found on the “starting continent” of Aurora are known as the Sinti, a largely nomadic cultural group that is strongly in tune with the natural world and worships a collection of nature spirits generally referred to as the Drom. The concept of this fictional culture started in college with a collective project my writing group put together. The Sinti were one of my contributions, originally inspired by the Romani people. (I have no idea if anyone in the group still writes in that world, but we all have permission to use the ideas as we see fit, so it’s fair game.) I fell in love with the concept of a nomadic people spiritually attuned to the natural world, but I didn’t want my depiction of them to come across as stereotyped or cliche. And that, I knew, was going to require a fair amount of research. Because while none of the people groups in my stories are ever meant to intentionally or accurately represent real-life people, I have never known stereotypes and cliches to make for an interesting story.

Though my original concept of the Sinti was focused mostly on the Romani, my attention did eventually turn to the native peoples of North America as well. As I’ve been writing, I have increasingly found that elements from the myriad cultures of the North American indigenous peoples have worked well for the kind of culture I am attempting to form in the Sinti. And that led me to look for books about the real-life cultures themselves.

It could just be because of where I live, but I haven’t found many books that seem to truly, fairly, accurately represent any of the natives of North America. Of the selection I had available to me at the time, Native American Myths & Legends by Lewis Spence seemed the closest to what I was going for. To say that my opinion of the book is mixed would be the understatement of the day.

Book Overview

Goodreads Link: https://www.goodreads.com/book/show/17172386-native-american-myths-and-legends-by-lewis-spence

My Rating: 3/5 stars

Native American Myths and Legends is a reprint of a book originally published in 1914. The writing endeavors to record the stories and religious practices of a variety of cultural groups found across indigenous North America. One of the things the book quite clearly points out is that the term “Native American” is about as broad as you can get. With hundreds (if not thousands) of languages and dialects and a huge assortment of religious and social practices, it is practically impossible to assign a particular description to what constitutes a “Native American.”

Historically speaking, some were nomadic and clan-based, some more urban and sedentary; some were matriarchal, some were patriarchal; some held great respect for life, and some practiced human sacrifice and cannibalism (more on that later). That the book was written in the early 20th century is not lost on the reader, and anyone who reads it should approach it with that mindset.

Yet despite the innate bias of the writer, it does endeavor to approach the topic of indigenous culture fairly, and the commentary at the end notes that its original purpose was both to preserve cultures that were quickly dying out thanks to the rapid expansion of white European colonizers and to argue for the dignity and importance of the indigenous people within society at that time. I imagine that for the time in which the original book was published, it was quite progressive. There are also additions by a more modern writer that help smooth over some of the older understandings and concepts that are represented in the original manuscript.

What I Liked

I have always been fascinated by anthropology, what makes people groups what they are and where cultural and religious behaviors stem from. Understanding a culture group’s mythology is a major key to understanding who they are as people, and there are plenty of stories in this collection that caught my attention both from the perspective of a storyteller and from the perspective of a person who really, truly does want to understand and appreciate the diversity that makes the world and its people so beautiful.

The writing is, on the whole, accessible and understandable for the average reader despite being over 100 years old, and there are elements within many of the stories that struck me as familiar from the perspective of a fantasy writer. I found many characters and stories in this book to be interesting potential source material for ideas I might use in my fantasy writing later down the road.

What I Did Not Like

The first thing that made this book a bit difficult to get through for me was the verbiage that makes it clear early on that this is a manuscript written during a time when racism and white superiority were the norm. Every time I read words like “heathen,” “barbarian,” and “savage,” I very physically could do nothing but cringe and wonder why I was continuing to read the book. And while there are several stories that are well-written and interesting, the vast majority of the writing is dry and academic. Unless you’re committed to reading to the end, it is one of those books that quickly becomes an example of how not to write about myth and legend.

Also, there should be a clear trigger warning on this book, as there is a segment toward the end that goes into detail about a ritual in which a young girl is kidnapped, manipulated, and brutally murdered as a part of a regular religious ceremony. That was the one part of the book I could not read in its entirety. So…yeah. If you’re into Criminal Minds, you’d probably be fine. I am not that person. I have very clear limits on the amount of cruelty and violence I can stomach reading about.

My Take-Away

From the perspective of someone who acknowledges that ideas and understandings of the world change, and believes that it is only in understanding the past that we can build a better future, I don’t regret reading this book. I did learn quite a bit about the indigenous cultures of North America, something that extends far beyond feather headdresses and flint arrowheads. I appreciated, too, that in the end of the book it’s made clear that the author’s intent was to earn understanding and respect for the indigenous people who were, at that time in particular, very poorly treated.

Do I think it could have been done better? Absolutely. And I’m still looking for something along this vein that maybe has a more accurate (and more interesting), less biased approach to portraying the content. Still, it did what I intended for it to do. It gave me a better appreciation for (and understanding of) a way of thinking I am trying to understand and fairly portray in my writing. So in that, it was a book worth reading.

NaNoWriMo 2022

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So…I may or may not have written this at the beginning of the month and then forgot to hit “post”? You know. Because my brain is a bag full of over-caffeinated squirrels.

So, for NaNoWriMo 2022, I can honestly say I finished out the month proud of myself and my accomplishments. I am sitting pretty at just under 35,000 words, probably my most productive NaNoWriMo in the 11 years since I started this blog!

My project for this year was a collection of short stories I plan on publishing next year. The stories are set in a new universe, the last I plan on ever creating, as I work on consolidating all of my old ideas into one world. The rewrites for the last two books of the Star Trilogy are still on the to-do list (once I figure out how to get myself out of the Mariana’s Trench of a plot hole I wrote myself into), but most of my publishing goals moving forward will all be part of my reworked Olandris Legacies series.

Originally a homebrew D&D world that I put together that borrowed heavily from my original Olandris Legacies idea, the short story collection focuses on some of the more beloved characters I have used in my game. I know I’ve run across at least one fantasy cliche list warning against writing books based on your D&D games but…too late. I’ve already done it, and I could hardly be happier with how it’s turned out. Plus, it’s been a great way to practice my writing and scrape off some of the proverbial rust. It’s hard to believe, but Prism World turns 10 years old next year, and I haven’t published a book since 2015. My writing skills are really feeling the disuse.

So, what can my readers look forward to next year? The working title for this compilation is “Moments that Define Us.” It’s easy to think of heroes as the people who go out, do famous things, and save the world. But what really defines a hero (or an antihero)? Could it be that the simple moments, the choices made in everyday life, are what really make or break a person’s character and future?

I still have at least one more entry to write before I consider the first draft complete, but below you can get a glimpse at some of the selections I’m looking at including.


The Apprentice

Quietly, Aeva closed the door behind her, moving reverently through the small room.

“I’ve never seen so many maps before,” the girl said in awe. “You don’t have any maps of the ocean, do you?”

The old man paused to look up at her, eyebrow cocked.

“The ocean?” he asked, sounding exasperated.

“Mm,” Aeva nodded, turning her attention back to the dusty collection. “I’ve read stories of civilizations that disappeared into the ocean hundreds of years ago because they angered the gods. I’ve always wanted to find them.”

“Those’re just stories, kid,” the old man grumbled. “And I ain’t no bard. Now go home.”

Aeva let out a dramatic sigh at this.

“Home is boring. There’s nothing to do there. I’ve already read all my books at least 10 times, and Mother and Father say they can’t afford to buy me any more right now.”

“Tough luck, kid.”

Aeva pursed her lips as she observed the old man in front of her. He seemed to be doing his absolute best to ignore her at this point, but despite his gruff exterior, his aged, wiry hands moved with a deftness the girl had never seen before as he scrawled line after line of ink over the parchment, creating a map with such detail Aeva thought for sure she could see every tree and gully in the landscape. It was art, but not like her father’s art. Her father was an artist by trade, and he certainly did fine work, but this was an art that even her father, Arun, could not do, or so she was convinced.

“You’re so good at that,” Aeva said in awe, leaning over the table slightly so that she could see what the old man was doing without interfering with his work.

The man let out a frustrated sigh before setting his tools down and turning to the girl with a stern gaze.

“What can I do to make you go away?” he asked gruffly.

Aeva cocked her head, thinking for a moment. She really wasn’t sure why she had come to the cartography shop. It wasn’t as if she had any money. That thought wavered in her mind for a moment before her eyes lit up.

“I know!” she exclaimed. “Can you teach me how to draw maps?!”

12-year-old Aeva has always been far too curious for her own good. With an active imagination, high aspirations, and far too much time on her hands, the young elf finds herself in the back alley shop of an old cartographer “affectionately” called Old Milo. What starts as a mild curiosity becomes a friendship, and while Aeva begins to learn the art of cartography, Old Milo learns the value of allowing at least some people into his life.


The Light in Winter

It was the shortest day of the year; fitting, Noelani thought, for the day she became a widow. Daylight faded quickly, and the heavy cloud cover only made a dark night darker. The temperature dropped further, and the snowfall became heavier. It wasn’t a blizzard, but it was enough to obscure vision. The clan took turns resting, Noelani most of all. Akoni, sensitive to his mother’s distress and the general air of tension among the clan members, had become fitful. Noelani dozed in between the moments that her baby cried himself to sleep, and even then, it was little more than a light slumber. The waiting…the not knowing…that was the hardest.

Some time in the dead of night, however, a shout echoed out from the watch set up around the camp.

“Morgrim!”

The shout was like a trigger. Noelani sat bolt upright, reaching out for Akoni and gathering him up in her arms. Her mother and several of the other women who were also sleeping in the wagon, sharing each other’s warmth, also bounded to their feet. Some grabbed for weapons and shields; others, staffs or religious icons. And in a moment, Noelani found herself at the center of the camp, the campfire’s light seemingly darkened by an eerie, shadowed aura, as the sound of combat rang past the circle of wagons providing a barrier between the camp and the dangers beyond.

Ezra, who was perched atop one of the wagons and firing off into the night, yelled back to Noelani, “We need light!”

It was time.

Clutching Akoni tightly to her chest, Noelani closed her eyes, focusing on the necklace that she had found in Bidziil’s pouch.

One last time, my love, let us defend our people together.

A young Sinti woman named Noelani finds herself widowed in the dead of winter with a month-old baby to care for and the monstrous morgrim on her clan’s doorstep. In a moment when many people would break under the weight of fear and grief, Noelani uses her late husband’s final gift to give hope and aid to those she wishes to protect.


A Moment Worth Treasuring

Julia giggled, a sound that turned Nereus’ attention back to the present situation.

“I don’t mean any offense,” the girl mused, tipping her head curiously at the young man seated across from her, “but…I never thought a noble would take any interest in people like us. Is this something you do regularly or are we special somehow?”

Nereus shrugged, making as though to reply until a waiter arrived with their food. The young man remained quiet and stoic until the waiter had exited back into the main establishment. Then he turned to look at Julia.

“As a knight, I work side-by-side with people from all walks of life. You just seemed like someone who needed a hand. Even as a noble, I can’t save the world, but I can make a difference in the part of the world that I touch.”

Julia glanced down at the exquisite array of food laid out before her, holding her hands out next to it all and staring at the stains and callouses there. How strange it all felt, this moment in which the fates had deemed that two very different worlds should collide.

“All of Xanom would be a different place if there were more nobles like you…if there were more who were actually…noble,” she mused, letting out a sigh.

Nereus leaned back in his seat, casting his gaze up to the sky.

“There are some, but…yes. The world would look very different.” He snorted then, casting a somewhat playful glance in Julia’s direction. “As long as they didn’t all look like me.” He took a bite of his food and glanced away again, muttering, “Scare off all the pigeons.”

As if to emphasize his otherwise random comment, he tossed a crumb in the direction of a bird hopping about the garden nearby. Kitty giggled, and Julia couldn’t help but laugh along with her. She still wasn’t sure how she had gotten to this point or what it all meant. It was hard to know if she would ever see Nereus again after this. But still…for this moment, she was happy. Whether he meant it or not, this stranger had made her feel like a princess, and that was a moment worth treasuring.

Life for 16-year-old Julia and her 8-year-old sister, Kitty, has never been easy. With the death of their parents and Julia’s weak heart to deal with, that life has become even harder. When a chance encounter places Julia in the path of Nereus, heir to House Lex, both of their lives are bound to be changed forever.


When the Tree Falls

“Tell me, Ty. Whose place would you take in that last battle?”

The young man gave a start of surprise, his eyes snapping open to look at the woman in front of him, but before he could get a good look at her face, Abey reached out, placing a hand over his eyes so that all he could see was darkness once more.

“Whose place, Ty? Who do you want to die for?”

Ty swallowed hard, unsure how to distinguish between the panic of his memories and the panic of the soft, feminine presence so close in front of him. His answer came in a hoarse whisper.

“Dion. Dion Aegis.”

Abey let out a sound akin to a hum of approval, and Ty almost wished he had remained silent a moment longer as the woman slid her hand away from him. Something about that touch was mesmerizing, and he suddenly felt so much more alone with its absence.

“Alright,” came Abey’s voice. “You’ve died, Ty. You took Dion’s place in that battle. He’s alive. You’re not. But you can still hear him from the Sea of Stars. What do you think he is saying?”

Ty paused again, unsure where Abey was going with this imagined scenario.

“Thank you?” he offered hesitantly.

“No,” the woman replied, her voice soft. “He is saying, ‘Why me? Why did you die and not me? Why am I alive and not you?’”

Ty felt his breath catch in his throat as he heard his own words spoken back to him. For a moment, Abey remained quiet, then she continued.

“For this moment, you can reply to him from the Sea of Stars. What do you want to say to him as you hear those questions?”

Reflexively, Ty clenched his hands into fists on his knees, working his jaw as he fought back the emotions that churned inside him. He flinched when he felt Abey’s hands come to rest on his, a gentle, reassuring touch amidst the turmoil.

“Let it out, Ty,” came her gentle voice. “Cry. Scream if you need to. You’re in a place where no one will harm you or criticize you for who you are or what you feel. Tell Dion, Ty. Tell him what you feel. Answer his question. Why was he allowed to live when you were not?”

As Abey’s voice reached Ty’s ears, it felt as though something inside him cracked. His voice came out in a tremor as tears began to slide down his face like the waterfalls that cascaded down the mountain and through the village below.

“Don’t…” Ty sobbed, bowing his head under the weight of the emotions that were flooding out of him. “Don’t do that to me. I only ever wanted you to have a future. My friend, you had so much life ahead of you. You deserved that chance. I would give my life a thousand times over to give you the future you deserved. So please…don’t waste your life mourning for me. Don’t throw away the chance I wanted to give you.”

His voice felt distant, and for a moment, Ty didn’t even realize it had been him speaking. But as his own words settled in his ears, his eyes blinked open, and he looked up into Abey’s face. She gave him a soft, reassuring smile before leaning forward, until all Ty could see was a pair of doe-like brown eyes.

“If Dion could speak to you now, don’t you think he would say the same?”

Ty’s head felt as heavy as his heart, and without thinking, he let his forehead come to rest against Abey’s shoulder.

“I miss them,” he choked out. “I miss them so much. And their families…their families are alone because I wasn’t strong enough to bring them home. How am I supposed to face that? How am I supposed to face me?”

Gently, Abey slid her arms around Ty’s back, resting her chin against his shoulder.

“In the forest,” she said softly, “when a great tree falls, its loss is acutely felt. It leaves behind a gap in the forest, but in its loss, the animals may find refuge, a seed may find sunlight, and the weak but foolishly lucky tree may find the nutrients it needs to become strong and carry on the legacy of its companion. But no seed naturally sprouts overnight, nor do wounds heal quickly of their own accord. You don’t have to find all your answers right now. My only question to you is this: are you willing to become something new?”

The trauma of a battle gone horribly wrong has left ex-knight Typhon Landelius haunted by nightmares and wracked with guilt over the friends he couldn’t save. Leaving behind the rigid, emotion-repressing culture of his homeland, “Ty” finds himself in the Sinti citadel of Veshiri where he befriends a young woman named Abey who helps him look at the tragedies of his past from a different perspective.


A Shield for Xanom

“Sir, I would like to request a brief reprieve from duties today,” Percy said, keeping his shoulders straight and attempting an air of calm confidence. “I have updated information on the situation with Mrs. Callia Aegis, down in the Lower Ward.”

The lieutenant’s eyebrows knit together in confusion.

“Mrs. Aegis?”

The officer seemed to be thinking for a moment before he flipped through his list. He paused several pages in, then glanced up at Percy.

“You know that Commander Rolan has already left to deal with that situation, right?”

Percy could feel his heart drop at the mention of Commander Rolan, and he found his feet moving long before his mind caught up with them.

“Sorry, Lieutenant!” the young knight exclaimed, racing for the gate leading out of the training yard. “I won’t be gone long!”

The clip of his boots striking the cobblestone street echoed like war drums in Percy’s ears as he dashed toward the ramp leading down from the Military District to the Lower Ward. All the while, his heart raced. He had to stop Commander Rolan before he got to Callia’s house. Of all the people to send after an old woman, why had they sent Commander Rolan?

Commander Rolan was a member of House Avram, a family known for their combat skills and no-nonsense personalities. But Rolan Avram was worse. The man had no compassion to speak of, and he did not have a reputation for being gentle.

The image of Callia Aegis’s frail form in the hands of someone as gruff as Rolan Avram reignited the fury that Percy had felt the day before, and his legs burned beneath him as he charged down into the Lower Ward.

Up ahead, Percy could see the lonely little cottage surrounded by empty fields. Callia was sitting in her rickety old chair, head in her gnarled, bony hands as though waiting for the end to come. Percy could see, too, the rigid form of Commander Rolan leading a company of knights and debt collectors down the path toward the cottage. Callia glanced up at the sound of people approaching, and when she spotted Commander Rolan, the old woman seemed to shrink into herself. Even from this distance, Percy could see the terror in her face. No one wanted to cross paths with Rolan Avram; not a knight, and definitely not a frail old woman.

As he ran, Percy’s eyes scanned the surrounding area. He had to get to Callia before Commander Rolan, but the only way to do that would be to cut across the fields. He was guaranteed to get muddy, but it couldn’t be helped. He sprinted through the muddy fields, ignoring the feeling of mud spraying up the back of his uniform with each step. Reaching the cottage just ahead of Commander Rolan, Percy skidded to a stop between the officer and the old woman, throwing his arms open as though to shield Callia from the cruelty that had been headed her way.

Newly knighted Persius “Percy” Lex has always had a strong sense of justice, but when a chance encounter with an old widow down on her luck puts Percy on a collision course with the infamous Commander Rolan, the people of the Lower Ward get to see firsthand what it means to be noble.


Ruin

A rumbling behind Harz told him that he was not alone, that the monster hunting him was still on his heels. Still bleeding, his head reeling, Harz made a dash for the gaps in the barrier, stumbling through only a breath of a moment before the arcane symbols reorganized themselves, again sealing the Vale and its darkness away.

The man paused, blinking at his surroundings. The world around him was dark and grey, just beginning to shift with the light of dawn that would be crossing the sky beyond the angry storm clouds above. Harz glanced up, the sting of cold rain striking his throbbing head. It was a welcome relief, and the man fell into a fit of maniacal laughter along with it.

A pained groan caught his ear then, and the man turned in the direction of the sound. It was then that he realized that he was surrounded by bodies. He cocked his head. At first, it was difficult to tell who the people here had once been, as torn up as most of the bodies were.

Harz crossed the distance between himself and the source of the groaning. It looked to be a young woman, lying face-down in a pool of her own blood. He tucked the tip of his boot under her, using it to roll her onto her back, and he watched in wonder as a silvery radiance began to shimmer out from a gaping wound in her gut. Her dark brown hair began to shift, turning white, with only a trace of the darkness that had once been there.

The glint of metal caught Harz’s eye then. A signet ring and a medallion. He knelt on one knee, examining the icons cast into the metallic objects. He wasn’t sure about the signet ring, but he recognized the medallion. Xanomes knights? What were Xanomes knights doing so close to the Vale?

All of a sudden, the dark, arcane burn on his right side began to pulse, the mysterious voice again echoing inside his head.

Kill her! it snarled. Don’t let her open her eyes! Look at that ring. What did she do to deserve it? Kill her, and take it as a trophy!

Harz grimaced, holding the side of his head with one hand and shaking it.

I’m not a killer. I’m a bad man, but I’m not a killer.

But you want to try it. You thirst for it. For vengeance…and power…against a world that has done nothing but wrong you.

As the voice hissed inside his mind, Harz felt his right arm begin to burn, forcing him to reach outward against his will. At the same time, the silver mask inside his satchel pulsed. The burn subsided before growing in strength again. Shadow seemed to coalesce in Harz’s outstretched hand, the form of that jagged black spear materializing from it.

Take the girl’s life. Feed me her soul, and I will give you a gift you could only dream of.

As the voice spoke, Harz reached his free hand into his satchel, fishing around for the mask. The resistance had been only slight, practically imperceptible, but it was there. And what little reason was left inside the man’s mind knew he only had one chance.

Harz let out a cackle as he stared at the menacing weapon in his hand.

“So that’s what happened! Who knew a spear could have so much power?”

Of course, I have power! I have more power than you will ever know!

“Tell me then,” Harz smirked. “Whom do I serve?”

A menacing chuckle echoed through the man’s mind.

I am chaos. I am storm. I am fury. I am war. Those who see me call me Ruin.

“Ruin…”

Harz yanked the mask from his satchel, pressing it up against the dark burn on his face. The voice in his head screeched.

What are you doing?!

The fury with which the sentient spear reacted was enough to make Harz’s head spin and his vision nearly go dark. Instead, however, he steeled himself, turning his back on the Xanomes knight who was beginning to stir. The darkness burned into his flesh clawed at him, as though beckoning him to turn around and run the girl through, but instead he took off at a sprint down the road.

I don’t know what you are. I don’t know why you demand what you do. But while even a fraction of me exists…if it’s war you want…this is a war I will wage…

No job involving the Nightwind Vale was meant to be easy, but Harz and his team quickly realize that they sorely underestimated their odds. Faced with certain death, Harz heeds the call of a sentient weapon that craves souls. Despite the dark influence already creeping through his mind, Harz makes a choice that defines who he is at his core.


The Black Cat

“Give us the cat, or get out.”

Just then, the sound of Loki’s voice echoed through Ehren’s mind.

It’s fine. You need your people. I’ll leave so I don’t cause any more trouble. I know when I’m not wanted.

A melancholy smile crossed Ehren’s lips. He didn’t know how the cat was speaking into his mind, but it was certainly more convenient than baring his soul in front of the whole assembly.

That won’t be necessary. We make quite the team, don’t you think? What do you say? Just two loners on the open road, seeing what adventure awaits us.

The man who had been after Loki frowned further at Ehren’s smile.

“What’s so amusing, bard?”

After a short pause, Ehren heard Loki’s voice in his head again.

Really? You really want to travel with me?

Why not?

One more pause, then, I…would really like to not be alone anymore. I guess you’ll do.

Ehren laughed audibly at the feigned disinterest. Quietly, he turned, sheathing his weapons and gathering his belongings before offering a hand to Loki, who jumped up lightly to perch on the top of his rucksack. Then Ehren turned to face the other members of the caravan.

“Well,” he said, offering them a smile, though he could feel the disdain lingering in it, “I suppose we’ll be off then. It’s nice to know the kind of people I’ve been traveling with. May the gods treat you as you have treated us.”

Several in the crowd shifted uncomfortably at the bard’s words but he paid them no further mind. With a flourishing bow, the half-elf did an about-face, continuing on down the road in the direction the caravan had been traveling that day.

When at last they were out of earshot, Loki at last spoke aloud again.

“Hey.”

“Hm?”

“What if…I really am bad luck?”

Ehren glanced over his shoulder at the little black feline perched atop his pack, then laughed openly.

“Well,” the half-elf answered, turning his eyes back to the dark road ahead of them, “then we can be bad luck together. It will be nice to not be alone in that endeavor.”

A night camping on the road to Xanom takes an interesting turn for the bard named Ehren in the form of a little black cat with a voice and an attitude. When faced with prejudice and a choice, Ehren chooses to stand up for what he believes in rather than stay in the safety of his companions.


The Kid (Part 1 of the Xerxes and Weiss stories)

“Oh, this?” he motioned up and down his body. “No, this is a…shall we say, a magical mishap? I’m actually 28.” He held his gauntleted hand out toward the mayor. “I’m Xerxes from the Crystal Archives.”

Madra narrowed her eyes suspiciously but bit back a grin at the air of nonchalant confidence the child was exuding amidst the angry mob and the disbelieving stares.

No way in hell that’s a grown man, the half-elf thought. This little shit is crazy. I like him.

All at once, the mob’s protests started up again, no doubt wanting something to be done to punish the boy for his transgressions, and Madra squared her shoulders, marching forward.

Kid is gonna get himself killed. Can’t have that. Fuck these gnomes.

Madra took Xerxes by the shoulder, shoving him behind her and using herself as a shield between him and the angry mob. The sight of the six-foot-tall half-elf looming over them with a glare that could kill was enough to silence the vast majority.

“Leave the kid alone and no one gets hurt,” she snarled, baring her teeth in an almost animalistic fashion.

“Well, I’m not actually…okay…” Xerxes began to say from behind her, though one look from Madra silenced his protests entirely.

The mob gathered around grumbled discontentedly between each other but, with an encouraging word from the mayor, they did at last disburse. With that settled, Madra did an about-face to take another look at her new charge. The boy visibly flinched, eyebrows knitting in concern as though he was expecting her to stab him in the process. When she didn’t, however, he cocked his head curiously up at her, that same look of innocent curiosity playing across his face and again reminding Madra of a puppy.

“Thanks for the help,” the boy said, holding his gauntleted hand out toward her. “I’m Xerxes. What’s your name?”

“That’s Madra,” the dwarf of the group noted as he walked by, clearly headed to the tavern. “Give it a minute and you’ll meet Weiss next.”

Xerxes turned in the direction the dwarf was headed, visibly confused.

“What do you mean?”

The dwarf laughed over his shoulder.

“Come hang out with us for a bit and you’ll figure it out.”

Madra didn’t take the boy’s hand, and she didn’t bother offering any kind of response to the dwarf’s quip. Weiss and Hope were safe, and she had fulfilled her duty to protect the innocent around her. She still wasn’t sure what to make of this boy named Xerxes. She definitely wasn’t sure that she believed he was an adult in a child’s body. But there was one thing she did take note of, and that was the innocent look of curiosity that glimmered in the boy’s bright teal eyes.

She had seen that look once, a long time ago…back before the tragedy that took away her family…back before she, Madra, came into being…back when they were whole. And it was for this reason she couldn’t help herself. She had to protect this crazy human child. She had to protect that little glimmer of hope and life she so rarely saw in a world torn apart by the horrors of the morgrim. She’d be damned if she let anyone, or anything, hurt this kid.

Nothing ever seems to go right for arcane inventor Xerxes, a man-turned-boy thanks to a magical mishap. When yet another endeavor goes comically wrong, Xerxes finds himself at the mercy of a mob of angry gnomes and a group of curious adventurers, namely one not-so-typical Sinti warrioress.


Trials of Khul

A wail of rage and anguish broke through the still night air, followed by a loud crack, and Xerxes glanced up to see Madra standing in front of the door leading into the pyramid, fisted hand pressed against the stony surface and bleeding from the impact of her strike. Her eyes held the fire of fury, but tears streamed down her sand-caked face.

“Why?” the half-elf fumed. “I tried. I tried so hard. But again…”

Xerxes glanced down at the now inert crystal in his hand and sighed before pocketing it and trotting up to where Madra stood. He reached up, taking her bloodied hand and pulling it away from the pyramid door as he activated his gauntlet. For a moment, the pair stood in silence as the last of the healing magic stored in Xerxes’ gauntlet washed through Madra’s wounds. Then, the woman’s legs gave out beneath her, and she collapsed to her knees in the cold sand. The hard edges of her face softened as her tears flowed freely down her face, dark amethyst eyes staring blankly in front of her.

“We…did everything we could. We finally gave it our all. But it still wasn’t enough…”

Her voice was soft and distant, like a child lost in the dark. Quietly, Xerxes squatted down in front of her.

“Weiss?” he questioned.

The woman turned toward his voice, her eyes refocusing to make contact with his.

“Yes?”

Xerxes offered her a sympathetic smile.

“Welcome back,” he said, holding a hand out toward her. “How about we get out of here, yeah?”

The half-elf hesitated, then slowly reached out, placing her hand in his and allowing him to help her back up. She nodded.

“Yeah. Let’s get out of here.”

The Wailing Desert. It is a region known for its mystery…and its danger. When one of Xerxes’ and Weiss/Madra’s companions wanders into the legendary Pyramid of Khul, Weiss is forced to face the guilt of her past and the reality that not everything can be changed just by being stronger or braver.


Reforged

For a moment, the woman glanced back toward the forge where Xerxes had created her gauntlets. As she turned, some of the cooling embers snapped, sending bright sparks arching upward. The motion triggered something deep inside of her, casting her back into a familiar, foggy void. This time, however, she watched the sparks.

The tiny orbs of light danced through the darkness, leaving faint trails of light in their wake, and as they moved, Weiss noticed the vortex around her begin to still and the fog begin to retreat. Like fireflies on a clear summer night…or had the sparks actually become fireflies?…the light bobbed its way toward a half-elf woman and a child of identical appearance protecting the flame of a tiny candle. Madra…and Hope…

Weiss watched the sparks encircle the flame, and Madra and Hope stood back as the fire lept forward, the candle transforming into a warm campfire in front of them. With the fog now gone, the trio found themselves standing in a quiet forest. No longer did the trees look dead, gnarled, and menacing. No longer did an angry wind howl. No longer did the fog place an impenetrable veil between them.

Hope let out a giggle of glee, chasing after the sparks that had become fireflies amidst the peaceful forest. Nearby, Madra took a step back, resting one hand on the hilt of her rapier as she cast her gaze skyward. Weiss followed her gaze, up to a bright night sky blanketed with stars.

“Hey,” Madra’s voice called to her, breaking through the stillness. “You find it? What you were looking for.”

Weiss turned to her, blinking. Then she glanced down at the gauntlets on her hands and she smiled.

“I think…I did,” she responded at length. “For the first time in so long, I feel…whole.”

Madra grunted.

“What does that mean?”

Weiss contemplated the question before pressing her hands to her chest, closing her eyes as she processed the emotions swirling inside and around her. She could feel the rhythm of her own heartbeat there, but one hand felt warmer than the other, and when she opened her eyes again, she found herself blinking in early morning light, hand-in-hand with Xerxes as he prattled on about the Crystal Archives. Somewhere in the back of her mind, Weiss could still feel the presence of Madra and Hope. Perhaps they would always be there, but she no longer felt lost and disoriented because of it.

So many people had asked her to change, had tried to “fix” her in her brokenness. But here was Xerxes, happily inviting her into his life, not asking her to change, just offering to share the journey with her as they looked forward to what the future might have to offer.

Weiss smiled, then laughed slightly.

What did it mean to feel whole? It meant knowing she was broken and yet also understanding that by her side was a person who could look at the broken things and see all the potential they had in store. It was the most peace she had felt in years, and in this moment, the future had never felt so bright.

The loss of a comrade in the Pyramid of Khul has left Weiss reeling but, with it, the lingering realization that no matter how hard she fights, not everyone can be saved. When Weiss is at her lowest, hope is rekindled as Xerxes invites her to be part of his work and join him in the illustrious Crystal City of Sati.


Cavalier Romance

It took a moment for Oriel’s mind to process what had just happened, but when the dust cleared, he found himself staring up at Adonia, one boot pressed to his chest and the tip of her sword pressed into the tender flesh beneath his chin. She grinned broadly, hazel eyes dancing with amusement.

The roar of the crowd in the stands was deafening, even from this distance, and Oriel couldn’t help but accept the truth. He had been squarely beaten by Adonia Kallis.

Sword still pressed to his throat, Oriel watched as Adonia leaned forward, resting the elbow of her shield arm against her knee. She stared at him curiously for a moment. Then she said the absolute last thing the young knight expected to come out of the girl’s mouth.

“You’re cute,” she said, her grin broadening. “How about drinks after this?”

Oriel blinked back up at her, for a moment absolutely dumbfounded. Then, he started to laugh. It was the most heartfelt laugh he had experienced in a very long time. He raised an eyebrow at her and glanced between her face, her sword, and the boot still pressed to his chest.

“Can I at least get out of the dirt first?” he asked.

Now it was Adonia’s turn to blink back at him for a moment.

“Oh! Right! Sorry.”

Oriel relaxed slightly as the girl’s boot lifted from his chest and the sword moved away from his throat. He sat up, bruised and covered in sand but also highly amused by the girl who stood unabashed in front of him. Meanwhile, the shouts of the crowd had eased into an excited hum, and a quick glance through the crowd revealed more than one blushing face as girls giggled between each other. Off in the seats next to the men’s dressing room, Oriel could see his companions talking excitedly amongst themselves and sending him teasing glances. He could only imagine how that must have looked.

“Hey.”

Oriel glanced up at the sound of Adonia’s voice, and he turned to find her hand outstretched, offering to pull him up off the ground. He smiled, grateful for the assistance under the weight of his armor and the disorienting impact he had just endured.

“I think I’m going to have sand in my armor ’til I retire,” Oriel laughed sheepishly, rolling his shoulders and listening amusedly to the hiss of sand raining down his back.

Adonia laughed in return, a rich, open laugh that made the earlier defeat feel less chafing.

“You’re welcome for the souvenir,” the girl said, placing a hand on the young man’s shoulder and leaning into him slightly. “Something to remember me by.”

She gave him a flirtatious wink, then stepped back as a referee came to fetch her, motioning for him to follow her to a dais set up above the arena to accept her reward as the winner of the tournament. As Adonia turned to walk away, however, she called over her shoulder, “Crimson Shield at sunset!”

Oriel smiled back and nodded.

“I’ll be there!”

For an orphan from the Lower Ward of Xanom, to become a knight was one of Oriel Shiloh’s greatest accomplishments. What starts as a simple competition to pass a day off ends in a date with the last girl Oriel ever imagined befriending: Adonia Kallis, a descendant of one of the most famous knights and lords of the Xanomes Kingdom.

Book Review: Quiet

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“You’re too quiet! Put down your notebook and come be sociable!”

I lost track of the number of times I heard that phrase or similar while growing up. I was always a quieter kid with a story to tell. Certain changes in my family dynamics influenced my withdrawal into myself and my own imaginary worlds, but that never changed the fact that I was instinctively quieter than the majority of my family and peers. This became especially evident when my mom married my step-dad, who is the poster child for the term “extrovert.” This is a man who loses his mind if there is even a hint of quiet in the house. When he wasn’t talking boisterously to someone on the phone or debating something with my mother, the living room TV was blaring at what I was sure was the same decibel level as a fighter jet.

The noise that my step-father brought into the house was overwhelming, and because of it I spent the majority of my childhood in my bedroom with the door shut, scribbling away at my notebooks or becoming absorbed in my art projects. My step-father was also a pastor of more than one church, and there were always social events to attend. It irritated him to no end when I would curl up in a quiet corner of a dimly lit and mostly abandoned room with my notebook as my only security blanket. He just knew there was something wrong with me because I didn’t want to socialize, and he did everything in his power to “bring me out of my shell.”

I won’t argue that there were things that were wrong that influenced the severity of my introversion, but I grew up with the idea that there was something wrong with who I was on a personal level, and that lack of self-worth has haunted me my whole life.

It has been seven years since I graduated from college. My senior year of high-school, I was voted “Most Likely to Succeed” out of the females in my class. During college, I served one year as president of the creative writing organization on campus, played the role of Assistant Director for the spring theatre performance, and even gave a speech during a summer writing course for teachers on creative writing and teaching creative writing in class. I graduated from college just a couple decimal points shy of Magna Cum Laude. But after I graduated? After I graduated, I lost all sense of identity.

I have struggled to find a job, any job, much less one that pays a living wage. I have bombed almost every interview I have managed to land. “No one cares about an English degree,” I told myself. But there was more to it than that. I have long known that I become horribly nervous during anything that feels like I’m being evaluated. I don’t like noise, I don’t like chaos, and I don’t handle disappointment or rejection well, taking it as a very personal evaluation of my own worth. Even though I have interviewed for and been willing to work in jobs that require me to do what I don’t like to do, it’s like that hesitancy still leaks through. More times than not, I get ghosted by the places that interview me, even if it’s after a second round of interviews.

For years I have been trying to research ways to “fix” myself and understand why it is that I feel so unwanted in a world that cries “there aren’t enough workers!” I discovered Quiet: The Power of Introverts in a World that Can’t Stop Talking by Susan Cain quite by accident on a Reddit thread filled with people like me who were trying to make sense of themselves in a world that seems so loud and intimidating. And let me just say, this book is going on a very short list of “Most Impactful Things I Have Ever Read in My Life.” I wish I had discovered this book sooner. I wish that my mom and step-dad had been able to read this book when I was a kid. And it is one of very few books I think every person in the US (maybe even the world) should read, regardless of their walk in life or personality traits. It has, after all, been a New York Times Bestseller for multiple years in a row for a reason.

Quiet is a book that explores, in great depth, that very stigmatized concept of “introversion.” It discusses everything from the physiological differences between introverts and extroverts to the way that these two very different personality traits can learn to interact and even benefit from each others’ strengths.

One of the things that stood out to me was what Cain refers to as a shift from a “Culture of Character to a Culture of Personality,” in which “Americans started to focus on how others perceived them.” The United States (and Western society in general), she points out, has always been geared toward the bold and gregarious personality types, but that formed into the “Extrovert Ideal” in the early 1900s, and with it has come a society full of anxious people vying to put on the best performance, as so much of business and social success in this day and age hinges on this extroverted behavior.

From beginning to end, I felt like this book was written with me in mind. Cain tells story after story that could easily have been me: a young girl in grade school who gets steamrolled by her more outspoken peers in a group activity because she is too quiet and nervous to try to overtake the louder and more self-assured classmates, a woman pursuing a career in law not because she was passionate about it but because she thought it was what she should do to be successful and was consistently passed up after interviews because her skill could not make up for her lack of passion.

The book cites numerous studies on personality and its many facets, but the one that I found most notable was a study started in 1989 by a man named Jerome Kagan. Kagan recruited a large number of parents with infants and began studying the way in which these infants reacted to new stimuli such as strange noises and unfamiliar faces. Through the study it was discovered that the infants that reacted most notably, the “high reactive” ones as they are called, generally turned into quieter, more “introverted” individuals as they aged. Brain scans showed more activity in the amygdala, the part of the brain that regulates how things are perceived, whether the new things are safe or unsafe. There was absolutely nothing wrong with the “high reactive” or “introverted” types. They just perceived the world in a much different way.

I found Cain’s analysis to be not only well-researched but incredibly fair in its approach. Though this is a book geared toward introverts, it doesn’t bash extroverts, and Cain is the first to admit that human personality is far too complex to truly be lumped into a handful of categories. Still, Quiet provides valuable insight in to how introverts, as a whole, relate to the world, and how the world relates to them. Cain provides tips for how introverts might be able to approach finding a career that suits them and how to successfully approach extroverts in both business and personal relationships, all while staying true to their core self. The book also contains advice for corporate leaders on how to help their more introverted employees shine and make the most of their talents, and how extroverted (or traumatized introvert) parents can help their introverted children navigate the complexities of a culture centered around the bold and gregarious.

In the conclusion of the book, I found two parts to be very poignant: “Love is essential; gregariousness is optional” and “The secret to life is to put yourself in the right lighting.”

Though I wouldn’t even begin to claim that Quiet has given me all the answers to my introverted struggles, I can say with confidence that it has given me some wonderful tools for moving forward and a much better view on my own self-worth. So for the introverts looking to understand how to appreciate themselves and still function in an extroverted culture, or for those extroverts looking to understand introverted peers or loved ones, I highly recommend Quiet as a first step in that journey.